[BoscoBox001] Bosconi Stallions - Five Years Of Bosconi Records

by Bosconi Records

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about

Rounding up the finest of our rare breeds for a show-stopping steeplechase, Bosconi is proud to invite the world into our stables to demonstrate the sound we have been rearing for the past five years. Leaping from the stocks in a flurry of high- pedigree house and techno, our Stallions bring forth the values we hold dear in electronic music, from young foals such as Herva and Nicholas to seasoned steeds like A Guy Called Gerald and Nick Anthony Simoncino.
It is the beginning of a new ride, every stallion has its own peculiarities, its color and its preferences: the house sounds of Riccio and San Proper & The Clover deliver the power of Apacz (022), while those Bass of the Brothers in low (Alex Picone and Mass Prod) strengthen the security of the black Neged (023). The Raw sound of the I.F.M. duet (Marcello Napoletano and Fran Mela) instigate the oddity of Teona (024) since the epic ride of Athena (025) made between the dub techno sounds of Ennio Colaci and the Detroit/Chicago atmospheres of The Oliverwho Factory and Nick Anthony Simoncino. Like every time you ride a new stallion, is an experience that shakes your legs but eventually restores trust and desire, feeling and loyalty in the race towards new musical interpretations.
It is better to let the horse follow his own path, and pretend itʼs yours. There is no secret more intimate than that between a rider and his horse. (Robert Smith Surtees)

credits

released July 15, 2013

Compiled by Fabio Della Torre & Rufus
Artwork & Photo by Chiara Sinatti
(P) & (C) Bosconi Records 2013
www.bosconirecords.com

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Bosconi Records

With their roots in the rolling hills of Tuscany, Bosconi Records stands proud as a shining example of creativity and craftsmanship in the Italian music scene. With a back catalogue rich in hand-crafted house music, unique downtempo beats and all the moods in between, the label has worked tirelessly to bring pride back to the musical output of Italy ... more

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